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Seeds For Thought
Buying Yourself A Business
If starting your own business seems like a lot of work and risk, you're right. But, there is a way to cut through a lot of the work and some of the risk. You can buy an existing business. And, so you won't feel alone, over 1,000,000 businesses change hands each year. To breakdown the number of businesses sold, about 50% are food related, 15% are retail businesses, 15% are service businesses and the remaining 20% are mostly in distributing, manufacturing and construction. Advantages of Buying an Existing Business
However, the advantages of buying an existing business outweigh the disadvantages for a conscientious entrepreneur. To be a conscientious entrepreneur means that you have committed yourself to the research time necessary to become an expert in your chosen business field. You must put in the study time to become an expert BEFORE you buy or start your small business. You are either an expert relying on your knowledge or a naive fool relying on your luck. You can and will learn much on the job. It's called OJT, or "on the job training." But, as you will see repeated in this course, research is a prerequisite for success. However, the research task is not overwhelming and, for most types of businesses, you can complete the necessary research in months rather than years. To find businesses for sale, you will consult:
"I'm beautiful. I know the cosmetics business." Wrong. "I'm a good cook. I know the restaurant business." Wrong. "I'm a good athlete. I know the sporting goods business." Wrong. Unfortunately most small businesses don't allow a new owner the luxury of easing his or her way into the enterprise. You have to know what you are doing from day one, and from day one you have to hit the ground running. You run or you are run over. Again, the research necessary to become a reasonable expert in your field is not usually a daunting task. As we saw with Kevin Romano, in four to six months of intense part-time research, Kevin had a good handle on most aspects of the pizza shop business. He also had Uncle Giro and his other mentors for back-up. You must be an extrovert willing to ask questions and more questions. You must lead yourself to the answers you need. This is your financial future. You can't be shy. Go for it. Doing your research and learning about your business should be both fun and exciting. For once, you are researching and doing something exactly for yourself for an exact reason. You aren't semi-conscious at your desk daydreaming about a better life while somebody else gets ahead. You aren't stuck in a humdrum job. You are action oriented. If doing your research and learning about your business isn't self-motivating, sorry to bother you. Go back to sleep.
With expert knowledge from your research, you will know if Samantha's Dog Grooming Service is worth $3,000, Granny's Candy Cupboard is worth $13,000 or if Dominic's Used Computer Showroom is worth $30,000.Now, if you are an expert at used computer pricing, you might find that Dominic's business is undervalued at $30,000 because the salvage value of the inventory alone is $40,000. You might also find that Dominic would be willing to accept your offer of $25,000 because Dominic really didn't know what the business was worth in the first place, and because Dominic is anxious to move out of state. The final result would be that you would be buying Dominic's $40,000 business for $25,000. On day one, you would have a going business and $15,000 of added asset value. Yes, this is how rich business owners get rich. They recognize opportunity and they take advantage. Yes, these opportunities do materialize for savvy entrepreneurs willing to put in the study time to find them. Why not you? Each time you evaluate an existing business, your investigation will include but not be limited to:
Of course, there will be an extensive list of business items specific to your industry to add to your investigative list. Before you sign any documents, you will wish to discuss all aspects of the proposed acquisition with your team of advisors: attorney, accountant, personal mentors, business mentors, partners and significant others. In determining a fair price to pay for an existing business, you will confront a wide range of reasoned and exaggerated asking prices. An "asking price" is what the owner wants you to pay for the business. Based on the asking price, you will make "offers" to arrive at a final "selling price." Asking prices can be right on the mark or crazy bad or crazy good. Let's take Granny's Candy Cupboard. Granny is asking $13,000 for her business. You ask Granny how she arrived at the $13,000 figure. Granny answers that after all expenses, including a weekly salary of $450 to herself, that the business yields a net profit of $6,500 at the end of the year. She decides that two times the net profit was a fair price to ask. She wants $3,000 down and will finance the balance at 8% interest for five years. In this instance, Granny seems like a reasonable woman and a good businessperson. Or, your answer from Granny on how she arrived at the $13,000 figure may be that she needs $6,000 for a hip operation, $4,000 for a new roof on her house and $3,000 to bet at the track. In this instance, the valuation had nothing to do with the business but only with what Granny needs. Or, Granny might say that she is pricing the business much below market value because she wants a lot of interested parties and she wants to be able to choose her successor carefully. Granny is more interested in carrying on the good name of "Granny" than she is in milking the last dollar from the business. You really don't know what practical or emotional factors will motivate an owner to sell and accept a final price. So, you must be prepared to operate from your own "best case scenario" based on your own research. A business is really worth what a ready, willing and able buyer is prepared to pay for it. Granny could be crafty or crazy. She could be a doll or a devil. You can't change other people. Granny owns the business and she can be as logical or illogical as she wants to be. You have to figure out what is a good deal for you and make your offers accordingly. Sometimes you win. Sometimes you lose. Stay in the game and wait for the next opportunity. When you become an expert in your business field, you will have the confidence to make offers that work well for you. Generally, you will determine a price at which you would purchase the business. This price may have something or nothing to do with the asking price. Obviously, if your opinion of the assessed value of the business is much higher than the asking price, don't delay. You'll want to make an offer immediately that will bind the owner to sell the business to you. Don't get greedy or too demanding with your terms, you might lose the buying opportunity to a faster acting or more reasonable prospect. However, if your opinion of the assessed value of the business is lower than the asking price, take care. You must have a figure in mind at which price you will buy the business or you will walk. You might want to try a first offer of 20% below your buying figure as a means to feel the owner out and obtain more information about the business. You can always raise your offer, as required by the negotiations. Again, in buying a business, you must be negotiating from a position of strength born of research. If you are following the advice in this course, additionally you will have the counsel of your mentors. In business sale negotiations, price is but one of many points to consider. The amount of cash involved in the sale and the time required to close the sale are two other very important determinants. If you're a cash buyer who can close the sale quickly, you are negotiating from a position of strength. To get cash and save time, an owner may yield on price. An expert will know where he or she can give and take. The Lopez Goff GalleryAna made a business plan from which she estimated monthly gross sales at $8,000 to $10,000. However, after deducting reasonable expenses and the cost of inventory, she would still project a negative monthly cash deficit of $2,000. Not a very good plan for getting rich. Ana either had to find a way to boost projected income or lower anticipated expenses. Ana spoke with two friends who worked at banks and both agreed: no way could she expect bank financing based on her current business plan. And, no way, was a bank about to invest in a venture without substantial collateral from the borrower. Ana's expertise and enthusiasm were not substitutes for cold hard assets, preferably liquid assets, preferably cash. Liquid assets are investments that can be turned into cash quickly. Both bankers agreed that Ana's best bet would be private financing. They asked Ana if she knew any wealthy collectors, benefactors, philanthropists or billionaires willing to invest venture capital in a prestige business. Well, through her museum work, of course, Ana did know most of the city's monied set. What could she do? Ask them, she supposed. But, circumspectly. Ana started reviewing the list of thousands of museum members and drafting a list of contacts. The criteria: first, whom did Ana know on a name basis who might be interested in financially supporting a new gallery and secondly, how could she approach them? Ana compiled a list of 28 names. These were people with whom she had worked directly on various museum committees and events. All 28 she believed to be wealthy. Ana only has to think of a way to contact them regarding museum business while casually mentioning her gallery plans. As Ana began to work through the names on her list, most of the replies to her discrete inquiries were, "Well, isn't that nice dear. You'll have to send me an invitation to your opening and be sure to put my name on your mailing list for your shows." However, persistence and patience paid off for Ana. Remember, Ana only had to make one sale. Ana only had to sell one patron on the idea of investing in her gallery. One of the names on Ana's short list was Sheila Goff. Sheila was a real estate broker in her fifties who married the boss in his seventies. Her husband was Jason Goff who owned Metropolitan Properties, one of the largest real estate brokerage and management firms in the city. Ana's conversation with Sheila went very well. Ana briefed Sheila Goff on her plans and research, advice from Sandy Bernstein and problems in locating gallery space. Sheila immediately offered a sound networking link, "Well, Ana, I should think that you'd want to speak with Jason. You know that Metropolitan owns three buildings on Sturgess Avenue. I don't know if there is any space available now but I can see that Jason puts you on the waiting list. Would you like me to speak with him for you?" Unfortunately, Ana had already tried this option, "Actually, Sheila, I've already spoken with a broker from Metropolitan and he said that there wasn't any space available and that Sturgess Avenue was probably out of my price range." Sheila didn't seem to be a woman who heard "No" the first time, "One of our brokers, turning away business, really? Who did you deal with at Metropolitan?" Ana felt that she might have spoken out of turn, "Sheila, I don't want to get anyone in trouble. The broker, I think was Jim Lansing. But frankly, I admit that Mr. Lansing is right in saying that Sturgess Avenue is out of my price range." Here, the networking spark ignites, "Well, I'm sure that Mr. Lansing did not realize that you were a friend of Jason and me. I'll have Jason speak with Jim Lansing and see if he can't find something. You can expect a call from Mr. Lansing by week's end. Then, I will expect a call from you telling me how Mr. Lansing has solved your problem. I think your focus on the middle market is well targeted. All of the pricing of art on Sturgess Avenue is really getting out of hand. You can do much better on price in New York and Europe, you know." For Sheila's help, Ana wanted to give Sheila something back, "Sheila, as a dealer you can buy art wholesale and ..." Ana proceeded to educate Sheila on pricing in the art world. And, Sheila, a woman who understood numbers, was impressed. She told Ana, "Yes, Ana, I'm sure we can work out something exciting. We must have another conversation very soon. When is your day off? We can meet for lunch." An appointment was set for the following week. Two days following her conversation with Sheila Goff, Ana received a phone call from a new Jim Lansing. A much more encouraging Jim Lansing was speaking, "Ms. Lopez, I wish you had told me that you were from the museum and a friend of Mr. Goff's. Anyway, Mrs. Goff has called me and told me that the space must be on Sturgess Avenue. Frankly, I'm calling for your help. We have no storefront space available on Sturgess and I've called the other areas of the city in which you might be interested. I assure you that I am working on your case nearly full time." "Thank you, Mr. Lansing. I had looked on the East Bank and ..." For a moment, Mr. Lansing thought he might be getting off the hook, "Yes, the East Bank might be very suitable." But, Ana wasn't about to give up on her big chance, "But, as you know, Sturgess Avenue is the art center of the city. And, I was really hoping for any space with that address. I'm having lunch with Mrs. Goff next Tuesday and I'll ask her advice." Mr. Lansing backtracked, "Lunch on Tuesday? Any space with that address ... Well, why don't you call me back Monday? You know, I really don't want you to give up on Sturgess Avenue until I've called every owner on the street. Will you do that? Give me until Monday afternoon." Ana could afford to be magnanimous, "Certainly, Mr. Lansing." "Thank you, Ms. Lopez." Whatever Mrs. Goff said to Mr. Lansing was working. On Monday, Ana called Mr. Lansing as arranged. The news was encouraging, "Ms. Lopez. I have something for you on Sturgess and it will suit your budget much better. I called my three building managers on Sturgess and insisted that they inventory every inch of leasable space at the personal request of Mr. Goff. Being a businesswoman, I'm sure you know how it is. Sometimes your managers just need a little prodding. Ha, ha," Mr. Lansing gave a nervous laugh and continued, "Anyway, in 337 Sturgess, a beautiful building, we have a basement storage area of about 2,500 square feet. At present, the space really isn't anything to look at, of course, pipes and all. But with elbow grease and paint, you might be able to make it into something. The only problem is that the ground entrance opens out in the small parking area on Bowdoin Street. But you would have access from Sturgess. There is a door at the end of the main corridor leading to the space. You'd have to walk down a flight of stairs. But, of course we could see to it that your mailing address and business address would remain Sturgess Avenue." Ana was certainly interested, "Well, thank you very much for your help and ingenuity, Mr. Lansing. This space sounds very interesting. How much are you asking for it?" Mr. Lansing wanted to avoid any further complications, "Well, frankly, the space is completely unproductive right now. Whatever we got would be a plus. I was thinking about $12 a foot. But, that's open to negotiation, of course." "Of course. When would I be able to see the space?" "Well, how about Wednesday or Thursday?" "Well, how about tomorrow morning. Tomorrow is my day off from the museum and then I could talk with Mrs. Goff about the space at lunch." Mr. Lansing hesitated, "Tomorrow morning is really short notice. I want to have the space cleaned for you, of course. Well, let's make it 11:00AM. Would that be convenient." Ana agreed, "Yes, it would, Mr. Lansing. I'll met you at the building tomorrow morning at 11:00AM." After some of the disastrous properties Ana had been shown by semi-interested leasing brokers, Ana knew that Mr. Lansing's desire to have the space cleaned before showings was atypical. On viewing the space, Ana fell in love. There were pipes overhead and a heavy steel door leading to the rear parking area, and the staircase leading from the main corridor passed the basement boiler room, but the space was useable. Actually, the basement was as spit-shined as she had ever seen a basement. The other areas of the lower level looked more like storage space, which told Ana that someone had been working overtime prior to her visit. An hour and a half later, Ana had her luncheon meeting with Sheila Goff. After hearing about the space from Ana, Sheila seemed less enthralled, "A basement. Is that all they could find you?" But, Ana was a foot off the ground excited, "Sheila, I love the basement, thank you. Everything is coming together now, thanks to your help." Sheila got to her priority, "Actually, Ana, I want to talk with you about your gallery. Have you considered taking anyone else in with you?" "Are you offering, Sheila?" Sheila nodded, "Yes, I guess I am. I'm a workaholic. I love real estate and I love art. The real estate I have. Now why not the art?" Ana needed to qualify Sheila's intent, "You would want to work in the gallery, Sheila?" Sheila shook her head, "No, no. I'm much too busy. We'd have sales people for that. You would be the managing partner and supervise. I could be involved in special events. Getting the caterers for the shows, for example." Ana tried to pull back a little, "Well, catering the shows might be outside the budget." Sheila, however, was practical, "Yes, well if the show called for cheese and crackers, then I'd be in charge of seeing to it that we had the best cheese and the best crackers. I'm quite good at getting things done, you know." Ana couldn't argue, "Sheila, if you could find me space on Sturgess Avenue, I have little doubt of your capabilities." Sheila wasn't one to mince time or words, "Well, now take my offer seriously. I want to hear from you within a week. And, call Lansing back and tell him that we'd both like to see the "basement" again. This time together. That ought to keep him busy. Jim Lansing is in line for a vice-presidency in a year or two. I'm sure he will be quite accommodating." "And, Mr. Goff?" "You just leave Mr. Goff to me. If this venture costs him less than a small fortune, he'll be happy." Lesson 14 ResourcesGo to Lesson Fifteen9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19Index |
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